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The Milk Miracle
Show Info
Title | The Milk Miracle | ||
Playwright | Poonam Dhir | ||
Director |
| ||
Stage Manager | Reading SM TBD | ||
Category | New Play Festival, Staged Reading | ||
First Rehearsal | TBD | ||
Performances | May 9th | ||
Roles to be cast | Age (Presentation) | Gender (Presentation) | Description |
***Playwright | 30+ | Gender queer AFAB (they/them) | South Asian/Punjabi/ desi/ BIPOC The storyteller, observer and perhaps “main character” Queer Bold Funny Curious Sensitive Willing to have difficult conversations Can be too much/quick to blame/argumentative |
***Sister, Mom, I., Older Woman | 40+ | she/her | South Asian/Punjabi/desi/ BIPOC woman Represents the women of Playwright’s family/community As matriarch of the family, a survivor; she can adapt to any circumstance, devout - duty is everything. Can forget what doesn’t serve her. Tells people what she thinks they want to hear. |
***N., Organizer, H.’s friend | 30+ | she/her | South Asian/brown/ desi/BIPOC woman Represents various women Playwright comes across on their India travels Culturally different (and sometimes the same) as Playwright |
S. | 30+ | She/her | White woman, lesbian, artist Playwright’s partner, friend and confidante – a voice of reason and rationality |
***H., Rickshaw Driver, Guard, Boyfriend, Cousin G., P.S., Dad | 40+ | he/him | South Asian/Punjabi/brown/ desi/ BIPOC man Represents men of this world A border – to be traveled across As patriarch of the family, he is full of anger, shame and regret. |
Synopsis | The Milk Miracle centres on a playwright navigating questions of identity, place, and belonging—both personal and cultural—while writing a story about a family struggling with grief, community expectations, and the weight of tradition. The play explores the layered tensions between the act of writing and the forces that shape a story’s creation. | ||
Notices | ***Proposed casting for these roles is South Asian/Punjabi/ Brown/Desi but people of any race/cultural background, particularly BIPOC folks, are encouraged to audition.
The Hindi/Punjabi/Sanskrit has been transliterated into English, so if you do not speak the language, you can still somewhat sound out the words. | ||
Important Dates/Holidays | 3/30 Ougadi/Ugaadi, 3/30 Eid al-Fitr (End of Ramadan)*, 4/4 Qing Ming Jie, 4/6 Ram Navami, 4/10 Mahavir Jayanti, 4/12-4/20 Passover*, 4/13 Theravada (New Year), 4/18 Good Friday, 4/18 Good Friday (Orthodox), 4/20 Easter, 4/20 Easter (Orthodox),5/1 Beltane-Samhain, 5/5 Cinco De Mayo, 5/11 Mother's Day, 5/12 Vesak- Buddha Day, 5/12-16 Spring Finals, 5/17 Commencement, 5/17 Armed Forces Day, 5/26 Memorial Day (Observed), 5/29 Ascension Day, 5/31 Duan Wu Jie, 6/1-3 Shavuot*, 6/8 Pentecost, 6/14 Flag Day, 6/15 Father's Day, 6/19 Juneteenth (Fed. Observed), 6/20 Summer Solstice-Litha, 6/23 Pentecost (Orthodox) |
Cast List
Cast Lists will be posted by noon on Sunday, March 30th.
Contact
Stage Manager: TBD
NPF Production Stage Manager: savanha-moore@uiowa.edu