TitleIn the Red and Brown Water
PlaywrightTarell Alvin McCraney
DirectorCaroline Clay
Stage ManagerSavanha Moore
CategoryMainstage
First Read ThroughFebruary 26
First RehearsalMarch 4
Load In/Tech /DressApril 5-11
PerformancesApril 12-14 & 17-20
Roles to be castAge (Presentation)Gender (Presentation)Description
Oya FemaleBegins the play a girl and ends it a woman; a woman of color
Elegba MaleBegins the play a boy and ends it a man, a godbrother to Oya; of Creole heritage
Ogun Size MaleWith Oya for a time, nephew of Aunt Elegua; a man of color
Mama Moja, The Women Who Reminds You FemaleMother of Oya, godmother to Elegba, a mother of color
Aunt Elegua FemaleAunt to Ogun, godmother to Oya; a woman of color
Nia FemaleGirl from around the way
Shun FemaleGirl from around the way, friend to Nia; a fair woman of color
Shango MaleWith Oya for a time; a dark man of color

The Man from State, O Li Roon

 

 MaleA white man
Egungun MaleA DJ, a boy from around the way
SynopsisIn The Red and Brown Water follows a young runner named Oya as she navigates growing up, grief, love, expectations, and loss. Oya begins the plays as a track star destined for greatness. When she realizes that her mother is sick and dying, Oya gives up a college scholarship to become her mother’s caretaker. When her mother dies, leaving her alone in her hometown of San Pere, Louisiana, Oya leaves behind her identity as a runner and becomes the lover of a local man named Ogun, who has loved Oya for a long time. They begin to make a life together, embracing the community's expectation of settling down, but Oya is constantly being pulled to another man named Shango, who is a much more charming ‘bad boy type’. Shango leaves for war but comes back into town and drives a wedge into Oya’s life with Ogun. Oya, meanwhile, realizes that she can’t have children, and is sent into an emotional spiral, eventually leading her to push Ogun away. When she finds out that a local girl is pregnant with Shango’s child, Oya snaps and makes a decision that labels her as crazy to the rest of the community.
Notices
  • This production will include dance; we will be having a dance call as a part of our callback process.
  • We will be having rehearsal on March 9th. This is the Saturday leading into Spring Back.
  • Throughout this show you will notice that there is spoken stage directions. No italicized directions/descriptions are spoken. However, anything within the content of a character's lines is all spoken.
  • There is an implication that Oya cuts off her ear offstage and will return onstage holding it in their hand at the end of the show. 

Intimacy Choreography Breakdown

Script Specific:

PageStage Directions/Planned ActionCharactersNotes
18 - 19

Conversations are had around Oya getting her period onstage during a scene.

 

Ogun Size: “That beautiful smile.”

Shango: “But she was bleeding.”

Elegba: “Everyone saw it.”

Ogun Size: “How could they not”

Oya: Oh I…

(The men all step towards Oya. The women block them out.)

Oya: I… I just…

Shun: “Didn’t you know it was coming?

Oya: “Well I … I mean… ‘cause of the running … it gets off and …

Shun: “Huh.”

Nia: “She didn’t know.”

Aunt Elegua: “Oya…”

Shun: “Stupid girl.”

Oya, Egungun, O Li Roon, Shango, Ogun Size, Nia, Shun, Aunt Elegua, Elegba 
21

Shango to Oya:

“You looked so good out there, girl. So good,

Running

Yeah you was.

Til you started bleeding but still…

You know you can’t help that.

Nah. But still damn.

He adjust his dick.

He puts his leg up.

He licks his lips.

I rarely look at dark girls like that,

But you black and phyne.

So I couldn’t help it.”

Shango, OyaPrior to their consensual relationship
29

Shango to Oya:

People fit together different.

I fit with you different than I fit with other people

I got something drawing to you and I feel you drawing to me.

Shango curls his fingers around Oya’s ear and Caresses the soft.

Shango, OyaPrior to their consensual relationship
46Shango curls his fingers around Oya’s ear and Caresses the soft.Shango, OyaPost their consensual relationship
51

Ogun Size to Oya:

So sweet but you can’t taste your sugar.

Ogun kiss.

I gotta go, gotta go

Ogun kiss.

See you later.

Ogun kiss.

Bye, baby.

Kiss.

Ogun Size, OyaConsensual
56

Shango to Oya:

Shango curls his fingers….He Caresses…

You still slim and ripe…

How somebody ain’t put

A baby inside you yet is beyond me.

Shango, OyaConsensual; While Oya is with Ogun Size
61

Shango: He smiles.

Oya: She smiles…

Shango and Oya: They …

Shango: Shango curls…He Caresses…

Shango, OyaConsensual; While Oya is with Ogun Size
68

Elegba: Legba stands back and pulls down his pants…

Oya: What you doin?

Elegba: Legba proudly shows Oya his right thigh.

Same mark. The ones like nobody ever seen

Right here on me and my baby.

Elegba, OyaConsensual
69

Oya to Shango:

Oya curls her fingers behind her ears…she Caresses the soft.

Shango, OyaConsensual; While Oya is with Ogun Size
75

Egungun: Eh my man ‘Legba! 

Elegba: They pull close

Egungun: Too close to be just friends

Both: Just Friends 

Egungun, Elegba

 

 

Important Dates/Holidays3/8 Maha Shivaratri, ​​​​3/10 Daylight Savings Begins, 3/10-3/17 Spring Break, 3/10-4/9 Ramadan*, 3/17 St. Patrick's Day, 3/18 Beginning of Lent (Orthodox), 3/19 Equinox (Mabon/Ostata), 3/24 Purim*, 3/24 Palm Sunday, 3/25 Holi Phagwa*, 3/25 Lailat al Bara*, 3/27 Nuzul Quran*, 3/29 Good Friday, 3/31 Easter, 4/4 Qing Ming Jie, 4/6 Laylat al-Qadr*, 4/9 Ougadi/Ugaadi, 4/10 Eid al-Fitr (End of Ramadan)*, 4/17 Ram Navami

Header of In The Red & Brown Water

TIME

FOR

WHO

LOCATION

10:00 AM

OYA

Dajzané Meadows-Sanderlin, Asha Keller, E’mma Camara

TB 166

MAMA MOJA

Asha Keller, Cianon Jones, Olivia Foster

OGUN SIZE

Michael Taylor, Isaac Addai

SHANGO

Monte J. Howell, Michael Taylor

AUNT ELEGUA

Asha Keller, Cianon Jones, Dajzané Meadows-Sanderlin, Olivia Foster

LIL’ LEGBA

Andrew Lindsey, Kylen Phillip

EGUN-GUN

Isaac Addai, Kylen Phillips, Monte J Howell

1:00 PM

O LI ROOM

Jasper Rood, Lindsey Wildman, Katie Gucik

NIA/SHUN

E’mma Camara, Delaney Waterman, Niyati Deshpande, Laura Zeng

2:00 PM

MEAL BREAK

3:30 PM

DANCE CALL

E’mma Camara, Dajzané Meadows-Sanderlin, Asha Keller, Cianon Jones, E’mma Camara, Delaney Waterman, Niyati Deshpande, Laura Zeng, Andrew Lindsey, Kylen Phillip, Isaac Addai, Monte J Howell, Olivia Foster

TB 172

5:30 PM

TBD; Will be posted after the 1st session on Sunday

TBD

7:30 PM

End of Day

NOTICES:

  • Please show up 15 mins prior to your callback time to check in at the table outside of the audition room.
  • For those attending the dance callback, there is a video from our choreographer posted with the callback list on the website. Please take a look at the moment and familiarize yourself with it before the dance call tomorrow. If you have a flowy skirt please bring it but if not please do not worry.
  • For those being called back for Mama Moja please take a listen to the song Down By The Riverside it is also listed on the callback site.
  • For those being called back for Lil’ Legba please bring in 16 bars of a lullaby which will be sung acappella.
  • If you are unable to attend the callback please reach out to Savanha Moore at savanha-moore@uiowa.edu to inform them. Thank you!

 

Dance Call Video: https://youtu.be/_NfgR_DoNI8?si=2rKe_jJJ14V4xscY

Down By The Riverside: https://www.youtube.com/watch?v=2ih3kVkk5_Q 

 

In The Red and Brown Water Cast List Header

 

Thank you to all who auditioned! Below you’ll find the cast list for

In The Red and Brown Water.

 

OYA

 

DAJZANÉ MEADOWS-SANDERLIN

 

ELEGBA

 

KYLEN PHILLIPS

 

OGUN SIZE

 

ISAAC ADDAI

 

MAMA MOJA/WOMEN WHO REMINDS YOU

 

CIANON JONES

 

AUNT ELEGUA

 

ASHA KELLER

 

NIA

 

DELANEY WATERMAN

 

SHUN

 

E’MMA CAMARA

 

SHANGO

 

MICHAEL TAYLOR

 

THE MAN FROM STATE/O LI ROON

 

JASPER ROOD

 

EGUNGUN

 

PATRICK ADU

ENSEMBLE MEMBER/DANCE CAPTAINGARIN CLINTON-NELSON

 

Please email Savanha Moore (savanha-moore@uiowa.edu) to accept or decline the role by noon on Monday November 27th. Our first rehearsal is schedule for Monday March 4th @ 8pm. If you have any questions, please let Sav know! Thank you!

Questions or concerns?

Sav Moore, Stage Manager: savanha-moore@uiowa.edu

Emma Merkes, Assistant Stage Manager: emma-merkes@uiowa.edu